The name and the voices. Diaphasic, pragmatic, and interactional functions in Dante's naming

Abstract

The essay aims to explore the diaphasic, pragmatic, and interactional dimensions of Dante’s use of onomastics, with a focus on identifying the underlying principles that govern his various typologies. Specifically, it investigates the alternating use of  ‘names + surnames’ and simple names (or other isolated designations). This perspective highlights the incorporation of juridical conventions as well as the significance of cultural codes in Dante’s onomastic choices.