Abstract
This article has two objectives: a) summarize in a chart the onomastic levels present in the second part of L’increato – I canti del caos by Antonio Moresco and b) analyze two names we find in Canti del caos (Lazlo and Aminah). These two objectives are deeply connected since proper nouns – especially those derived from foreign languages – represent a highly problematic aspects of the onomastics of Moresco’s oeuvre.